Based in New Delhi, Meenakshi Jha Banerjee is an accomplished artist whose creative journey began in the rural landscapes of Bihar, drawing inspiration from the traditional Mithila folk art. Over the past two decades, she has transformed these regional elements into a signature style, blending the intricacies of Mithila with contemporary themes and techniques. Her work moves beyond mere aesthetics, responding to social issues and reflecting the evolving nature of modern society.

Banerjee’s art is marked by vibrant palettes, meticulous detail, and layered compositions, created in acrylics and mixed media on canvas and paper. Her skillful fusion of folk elements with contemporary subjects has gained her national and international recognition, with media coverage and accolades, including the prestigious Bihar Kala Samman in 2013. Her work even found a place in the National Library of Australia, featured as part of the #Incredible India initiative.

In 2015, she painted her first car, affectionately named Bahuriya, transforming it into a moving canvas. Later, in 2018, she painted another vehicle at the International Artist Camp in Siwan, Bihar, with plans for a new car project in New Delhi.

Banerjee’s latest collection, Adhura Kuch Bhi Nahi (“Nothing is Incomplete”), is a personal reflection on her artistic journey and research, showcasing the completeness inherent in every experience.

In Her Own Words: Depicting Womanhood in Red

“Often, my work features women painted in red. However, I don’t believe that every artwork needs a clear message or that each color must have meaning. My paintings stem from memories, stories, and personal encounters. I observed several women in my life who, often choosing silence, created stories within themselves. My heart engaged in a one-sided dialogue with them, shaping the characters I paint today. Red represents warmth, energy, and femininity, and thus, my women are primarily red-a color that reflects both life’s beauty and its fears.”

Through her distinctive approach, Banerjee’s art invites viewers to connect with her themes while leaving room for personal interpretation, making her work both introspective and universally resonant.